Spring is nature's season of rebirth and rejuvenation. Earth's northern hemisphere tilts towards the sun, winter yields to intensifying light and warmth, and a wild, elemental beauty transforms the Highland landscape and a repertoire of islands from Colonsay to Lindisfarne. Jim Crumley chronicles the wonder, tumult and spectacle of that transformation, but he shows too that it is no Wordsworthian idyll that unfolds. Climate chaos brings unwanted drama to the lives of badger and fox, seal and seabird and raptor, pine marten and sand martin. Jim lays bare the impact of global warming and urges us all towards a more daring conservation vision that embraces everything from the mountain treeline to a second spring for the wolf.

In the endless light of summer days, and the magical gloaming of the wee small hours, nature in Jim's beloved Highlands, Perthshire and Trossachs heartlands is burgeoning freely, as though there is one long midsummer's eve, nothing reserved. For our flora and fauna, for the very land itself, this is the time of extravagant growth, flowering and the promise of fruit and the harvest to come. But despite the abundance, as Jim Crumley attests, summer in the Northlands is no Wordsworthian idyll. Climate chaos and its attendant unpredictable weather brings high drama to the lives of the animals and birds he observes. There is also a wild, elemental beauty to the land, mountains, lochs, coasts and skies, a sense of nature at its very apex during this, the most beautiful and lush of seasons. Jim chronicles it all: the wonder, the tumult, the spectacle of summer - and what is at stake as our seasons are pushed beyond nature's limits.

"An utter delight" - Jennifer Tetlow. In the Encounters in the Wild series, renowned nature writer Jim Crumley gets up close and personal with British wildlife - here, the kingfisher. With his inimitable passion and vision, Jim relives memorable encounters with some of our best-loved native species, offering intimate insights into their extraordinary lives.

"An utter delight" - Jennifer Tetlow. In the Encounters in the Wild series, renowned nature writer Jim Crumley gets up close and personal with British wildlife - here, the skylark. With his inimitable passion and vision, Jim relives memorable encounters with some of our best-loved native species, offering intimate insights into their extraordinary lives.

"The best nature writer working in Britain today." - The Los Angeles Times. Eagles, more than any other bird, spark our imaginations. These magnificent creatures encapsulate the majesty and wildness of Scottish nature. But change is afoot for the eagles of Scotland: the golden eagles are now sharing the skies with sea eagles after a successful reintroduction programme. In 'The Eagle's Way', Jim Crumley exploits his years of observing these spectacular birds to paint an intimate portrait of their lives and how they interact with each other and the Scottish landscape. Combining passion, beautifully descriptive prose and the writer's 25 years of experience, 'The Eagle's Way' explores the ultimate question - what now for the eagles? - making it essential reading for wildlife lovers and eco-enthusiasts.

'Like many a Highland glen, the Fathan Ghlinne should be wooded but isn't. But I have sat long and often and listened to the ancient river speech, to the windsong of three birches and a rowan, the rowan above a meeting of waterfalls which should be a portentous place. And the word on the wind and in the speech of the river is that the trees and wolves and the people will be back.' Thus Jim Crumley concludes this remarkable book of nature writing. The setting is largely Highland Perthshire (there are startling asides to Mull and Alaska), the author's home for several years, and where, having 'chased a rainbow' that faded early he stayed on and put down a root that nourished his nature writer's instincts. Something Out There is Jim Crumley's account of his quest to rediscover something of the ancient bond between man and nature. It is told in prose that is three-quarters of the way to poetry, and in the process gives the art of nature writing a bold new standard bearer for the 21st century.

In "The Last Wolf," Jim Crumley explores the place of the wolf in Scotland--past, present and future--and challenges many of the myths that have been regarded for centuries as biological fact. Bringing to bear a lifetime's immersion in his native landscape and more than twenty years as a professional nature writer, Crumley questions much of the written evidence on the plight of the wolf in light of contemporary knowledge and considers the wolf in today's world, an examination that ranges from Highland Scotland to Devon and from Yellowstone in North America to Norway and Italy, as he pursues a more considered portrait of the animal than the history books have previously offered. Within the narrative, Crumley also examines the extraordinary phenomenon of wolf reintroductions physically transforming the landscapes in which they live that even the very colours of the land change under the influence of teeming grasses, flowers, trees, butterflies, birds, and mammals that flourish in their company, Crumley makes the case for their reintroduction into Scotland with all the passion and poetic fervour that has become the hallmark of his writing over the years. This is an elegant, erudite and imaginative account that readdresses the place of the wolf in modern Scotland.

This is the work of a man who has known and loved the Scottish Cairngorms for more than 30 years. Jim Crumley marries a poet's instincts to an uncompromising passion for the Cairngorm's arctic character, and for those wildlife tribes which thrive there. He marks nature's rhythms with thoughtful observations of bird and beast, flower and landscape. In the process he strives for a purer empathy with the wilds, seeks out the nourishing bond of man and landscape. Ultimately, the book asserts that the Cairngorms are nature's place. Crumley proposes a radical solution to safeguard the mountains from a threatening array of forces ranged against them. In his conclusion he invokes what Seton Gordon called "the spirit of the high and lonely places".

The Lake District is one of our busiest national parks. Many people believe that wildness is long gone from the fells, lakes, tarns and becks, yet, within its boundaries, Jim Crumley sets out to prove them wrong - to find "a new way of seeing and writing about this most seen and written about of landscapes". With a naturalist's eye and a poet's instinct he is drawn to Lakeland's turned-aside places where nature still thrives, from low-lying shores to a high mountain oakwood that's not even on the map. Through backwaters and backwoods, Crumley traces this captivating land's place in the evolution of global conservation and pleads the case for a far-reaching reappraisal of all of Lakeland's wildness.

“If you have been still enough for long enough, your eyes will have attuned and begun to read the sea-surge fluently, so you recognize the blunt curve and flourished tail of a diving otter. Home your eyes in on that portion of the sea, permit nothing else to move, and you will see the otter eel-catching, resurfacing.� It is a special privilege and a richly rewarding experience to observe a wild animal hunting, interacting with its young or its mate, exploring its habitat, or escaping a predator. To watch wildlife, it’s essential not only to learn an animal’s ways, the times and places you may find it, but also to look inward: to station yourself, focus, and wait. The experience depends on your stillness, silence, and full attention, watching and listening with minimal movement and if possible staying downwind so that your presence is not sensed. With decades of close observation of wild animals and birds, Jim Crumley has found himself up close and personal with many of our most elusive creatures, studying their movements, noting details, and offering intimate insights into their extraordinary lives. Here, he draws us into his magical world, showing how we can learn to watch wildlife well, and what doing so can mean for our ability to care for it, and care for ourselves.

"An utter delight" - Jennifer Tetlow. Renowned nature writer Jim Crumley gets up close and personal with some of Britain's most iconic and loved animals - here, the fox. With his inimitable passion and vision, Jim describes some of his most memorable encounters with British wildlife - and reveals the startling ways they continually adapt to the relentless encroachment of humans on their habitats. The Encounters in the Wild series not only offers insights into their extraordinary lives, but also considers the conservation efforts to protect them and how the future looks for these much loved animals.

Longlisted for the 2022 Highland Book Prize From Jim Crumley, the "pre-eminent Scottish nature-writer� (Guardian), this landmark volume documents the extraordinary natural life of the Scottish Highlands and bears witness to the toll climate chaos is already taking on our wildlife, habitats and biodiversity – laying bare what is at stake for future generations.  A display of head-turning autumn finery on Skye provokes Jim Crumley to contemplate both the glories of the season and how far the seasons themselves have shapeshifted since his early days observing his natural surroundings. After a lifetime immersed in Scotland's landscapes and enriched by occasional forays in other northern lands, Jim has amassed knowledge, insight and a bank of memorable imagery chronicling the wonder, tumult and spectacle of nature’s seasonal transformations. He has witnessed not only nature’s unparalleled beauty, but also how climate chaos and humankind has brought unwanted drama to wildlife and widespread destruction of ecosystems and habitats. In this landmark volume, Jim combines lyrical prose and passionate eloquence to lay bare the impact of global warming and urge us all towards a more daring conservation vision that embraces everything from the mountain treeline to a second spring for the wolf.

This is a mixture of folk-tale, magic, myth, love story and hymn of praise to the natural world of Scotland's high and low lands, their landscapes and creatures, and the poet-guardians who timelessly maintain their care for them. It is the legend-story of the mysterious Wanderer, who comes from the North to Striveling (Stirling) and its great Castle Rock, and the tales he tells to the five men and a woman who befriend him there. Who is this Wanderer, who seems ageless, who has profound affinities with animals and birds, who can take on the shape of swans and what is his mission to the South? Who are these friends, whose friendship becomes more, as they begin to realize that they are part of the strange, timeless and mythic destiny of a country older than civilization? What is the meaning of the unearthly love of the Wanderer and the mysterious Bella?

The Great Wood of Caledon - the historic native forest of Highland Scotland - has a reputation as potent and misleading as the wolves that ruled it. The popular image is of an impassable, sun-snuffing shroud, a Highlandswide jungle infested by wolf, lynx, bear, beaver, wild white cattle, wild boar, and wilder painted men. Jim Crumley shines a light into the darker corners of the Great Wood, to re-evaluate some of the questionable elements of its reputation, and to assess the possibilities of its partial resurrection into something like a national forest. The book threads a path among relict strongholds of native woodland, beginning with a soliloquy by the Fortingall Yew, the one tree in Scotland that can say of the hey-day of the Great Wood 5,000 years ago: 'I was there.' The journey is enriched by vivid wildlife encounters, a passionate and poetic account that binds the slow dereliction of the past to an optimistic future.

A BBC Radio 4 Book of the Week. Spring is nature's season of rebirth and rejuvenation. Earth's northern hemisphere tilts towards the sun, winter yields to intensifying light and warmth, and a wild, elemental beauty transforms the Highland landscape and a repertoire of islands from Colonsay to Lindisfarne. Jim Crumley chronicles the wonder, tumult and spectacle of that transformation, but he shows too that it is no Wordsworthian idyll that unfolds. Climate chaos brings unwanted drama to the lives of badger and fox, seal and seabird and raptor, pine marten and sand martin. Jim lays bare the impact of global warming and urges us all towards a more daring conservation vision that embraces everything from the mountain treeline to a second spring for the wolf.

In the abiding light of summer, the nature in Jim Crumley's heartlands of Scotland is burgeoning freely. Seals sing, brown hares bound, dragonflies dance. His silent vigils reveal not only an enchanting account of summer's exuberant profusion, but the unfolding climate chaos. From declining puffin populations to the demise of entire glaciers, this is a world in crisis ... and of everyday miracles on land, mountains, lochs, coasts and skies. Jim Crumley's intimate portraits branch out beyond the heart of the Highlands to memories of summers past: from kittiwake cliffs in far-flung St Kilda to the pure wilderness of Arctic Norway, where sea eagles rule. The Nature of Summer explores what is at stake as our seasons are pushed beyond nature's limits.

A novel based on the life of Bob Crumley, member of Dundee FC's 1910 Scottish Cup-winning team. The story is told through the eyes of his grandson as a series of snapshots in a family album - except the shots were never taken, for the popular goalie was an outcast from his own family.

'Luminous' The Times 'Beautiful' Caught by the River Bringing together contemporary Scottish writing on nature and landscape, this inspiring collection takes us from walking to wild swimming, from red deer to pigeons and wasps, from remote islands to back gardens, through prose, poetry and photography. Edited and introduced by Kathleen Jamie, and with contributions from Amy Liptrot, Jim Crumley, Chitra Ramaswamy, Malachy Tallack, Amanda Thomson and many more, Antlers of Water urges us to renegotiate our relationship with the more-than-human world, in writing which is by turns celebratory, radical and political.

This beautiful record, on fine paper, is Crumley's homage to these noble creatures, but it is also an elegy, a love song to one swan whose silent tragedy he watched from one season to the next. 'A small mound on white feathers lies on a tussock of grass made grey by a Highland winter. It is all the monument there will ever be to the life of a swan.' With these words, and those that follow, Jim Crumley has ensured that there will be a more enduring witness to the life of this swan, and of all swans, than that pyre of white feathers. Crumley watches, year in year out, as a pair of mute swans struggles, against the odds, to raise young on a wild patch of lock. But the pen starts to lose her eggs to predators; and the cob begins to disappear for longer and longer periods. Until comes the day when a third swan, stronger and younger than the first pen, appears at the other end of the loch. This journal of a swan-watcher, as he calls himself, is an elegy to these noble creatures; and most poignantly it is a memorial to one swan, whose silent drama he has recorded.

A reprint of the classic eagle book from one of the pioneers of nature writing. Seton Gordon was among the first to observe in some detail - through countless hours in his hide - the daily life of the golden eagle and to present in his books an account of their habitat, diet and behaviour. But his writing was much more than that - his books are interwoven with acute observation and his narrative possesses a clarity that ensures the reader sees as much as Seton Gordon himself saw. From life day to day on the eyrie through the different Scottish landscapes and the interaction of the eagles with other wildlife, it is all covered and in his inimitable style.